Wednesday, November 13, 2019
Essay --
Escaping the confinements of a gallery wall, we leave the formalistic ideals of limitations that art set by the existing parameters. Thinking beyond the white walls allows a bridge between humanity and art enabling them to have a direct relationship and become one. They become a harmony of two voices, clarity; a marriage. ââ¬Å"The form, material and even the birth process of the work takes the location into account. The surrounding space in itself may act as an artistic elementâ⬠(Jokela). The locale of a work of art is not just a particular setting but something that completely becomes involved within the work. Their direct relationship is unifying, feeding off each other while not allowing the characteristics of one becoming more important than the characteristics of the other. The significance is what the viewer sees and the artistââ¬â¢s purpose for the work. The gaps are blurred. Art in the natural environment captivates oneââ¬â¢s attention as to the way that the elem ents of true reality play a role in it. The idea of art moving to the outdoor world leaves no restrictions to a certain style, and it abandons formal and traditional artistic ideas and values. Works of art escaping simplistic white walls of a gallery was a branch off of minimalism in the 1960s and 1970s, taking concepts such as experiencing space around a form to the next level (Nisbet.) This particular movement of art converging into daily life linked spacial and environmental awareness on a physicality and conceptual level. When art is experienced outdoors, it is not sequestered but brought together with physical existence. The work becomes a mental and bodily experience for the viewers to really observe. Conversely, in a gallery, the walls already exist in the peripheral vis... ... the wind and light creating dialogue between each other. This art closely pays attention to the ââ¬Å"living beautyâ⬠and in transitioning from one of the structures to the other (Castro). ââ¬Å"The artistââ¬â¢s connection to nature is respectful, almost sacral. It is as if the work refers to natureââ¬â¢s own beauty or significance. The work of art opens oneââ¬â¢s eyes to see something ordinary and everyday in a new wayâ⬠(Jokela). Central park was of major importance to this piece in being made, and it became a part of others lives who lived there and saw Central Park on a daily basis. According to the couple, art is meant to be a life experience for themselves and for the viewers, which is something that canââ¬â¢t completely be fulfilled within a gallery system. When the work is completed, it incorporates itself into something that perpetuates into nature and all its environmental effects.
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